historical fictionThe Basic Bookworm: historical fiction
Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Saturday, 16 September 2017

The Drowning King - Emily Holleman



Began reading: 6.9.2017
Completed reading: 11.9.2017
Overall rating: 4 stars


As the Romans steal power from the throne, a crucial decision will determine the course of history.

Cleopatra and her younger brother Ptolemy are established on the throne. Long overlooked by his father in favour of the beguiling Cleopatra, eleven-year-old Ptolemy is desperate to assert himself as a man and a king – but he and his advisors are no match for Queen Cleopatra.

Yet when Cleopatra alienates Rome’s remaining legions and flees the palace, Ptolemy finally gets his first taste of power. As Cleopatra joins forces with her sister, Arsinoe, Ptolemy must prepare to prove his ruthlessness to Caesar.

Arsinoe doubts where her sister’s loyalties lie, and when news comes that Cleopatra has manipulated Caesar to regain the throne, she is torn between her warring siblings. She must choose whether it will be her sister or brother she betrays and which side to take – a decision that will determine the fate of a kingdom…

The Drowning King by Emily Holleman is a historical fiction novel that explores the lives of royalty in ancient Egypt. I have been dying to get my hands on this novel ever since I discovered that my library holds a copy. It took such a long time to borrow it because so many people kept getting it before me. But FINALLY I can say that I have read it, and I wasn’t disappointed!


Following the death of Ptolemy XII Auletes, his three eldest children Cleopatra, Arsinoe and Ptolemy XIII are thrown in the deep end of political intrigue. As they are forced to work together, they will each develop a taste of power and begin craving more. Noticing the growing tension between Alexandrians and Romans, Cleopatra plans to flee the palace and bring Arsinoe with her. Gathering troops, the royal sisters will need to work together to overthrow their weak younger brother; their plans are jumbled when Arsinoe is abandoned by Cleopatra yet again, only to find that her sister is siding with the Romans – seducing Julius Caesar. Ptolemy struggles with the sudden authority he possesses and has difficulties with exercising his power. This will become almost impossible when Cleopatra returns and stages a coup for the throne. Meanwhile, Arsinoe has learned that she will never sit on the throne, but when she’s caught between her siblings and the looming threat that Rome holds, she will be forced to choose a side or risk her life to obtain what was always out of her reach.

The book was well-written, as expected. In my opinion, there is one word to describe Holleman’s writing style: eloquent. I loved her writing in Cleopatra’s Shadows, and I was grateful that it hadn’t changed in this text. The use of literary techniques including foreshadowing, point of view and suspense assisted with the flow of the narrative and added depth. There were also a couple of great quotes, including:

‘When a king falls ill, his kingdom falls ill with him’ (p. 12).

The greatest victories come when our enemies least expect them (p. 82).

She’d spoken their victory into being, like the native gods of old, and baptised it in blood (p. 368).

I mentioned in my review for Cleopatra’s Shadows that I thought the plot was interesting and unique, and I stand by what I said. I’m a huge fan of historical fiction, and ancient Egypt has always been a fascinating topic for me (I fell in love when I had to do an assignment on it back when I was 13). In high school, I chose to study ancient history and I loved every minute of it. Anyway, my point is that I was able to apply my knowledge of ancient Egypt and the Romans to what I was reading, and I was addicted. I loved the re-telling because we got more of an insight into Cleopatra’s reign from the eyes of two lesser-known characters. There isn’t much to know about Arsinoe (I learned about her from Horrible Histories), so I enjoyed learning more about her (even if it is fictional).

                    

Another aspect of writing that Holleman utilised in her previous book that appeared in this one was the uncertainty of characters’ fates in the form of plot twists. I mentioned in the review for the first book that the uncertainty was very creative – something that not a lot of writers think to incorporate. I could see that the plot twists reflected the unpredictability of Egyptian rule, especially in terms of the crown. For example, Cleopatra’s and Ptolemy’s abandoning and returning to the throne was unpredictable, similar to how their siblings fought to reign. Like I said, I thought this tactic was clever and I hope to see more of this in Holleman’s future works.

I firmly believe that Holleman is one of the best writers when it comes to styling a conclusion. Both perspectives ended in an intriguing way, just like Arsinoe’s and Berenice’s in the previous novel. In this book, Arsinoe’s conclusion hinted at foreshadowing, particularly her death. There is a claim that Arsinoe was murdered by Marc Antony, under Cleopatra’s orders. With this in mind, the final line in Arsinoe’s perspective states:

She could no longer tell which was friend and which was foe (p. 400),

which I think is foreboding and a look into what’s to come. I thought that Ptolemy’s conclusion was vivid and bittersweet – bittersweet because he always seemed to feel like a disappointment, but at the same time he would never feel like that again. I don’t know if there will be a third book, but if there is then I’m so excited to see how Holleman concludes Arsinoe’s life.

                      

There were numerous characters in this novel, and I was super excited when each other them had their own unique personalities and their own flaws. Each character had a motive to claim the throne, or work their way as close to it as possible, which was intriguing. Their flaws made them stand out amongst each other, especially Ptolemy siblings’ flaws – their hunger for power ultimately brought about their demise. I enjoyed seeing how they negotiated and battled each other for the throne, so their flaws made their characters and the plot line enhanced my fascination.

I only had one minor issue with this incredible book, and that was that it was a little repetitive. I understand that Ptolemy was trying to prove that he can be a man and a good king, but he felt like a weakling and his constant “I’m such a good king but Arsinoe will do all the work for me” thing irritated me. I was constantly thinking, “sorry hon, but Arsinoe ain’t doin’ this for you because SHE DON’T LOVE YOU”. The repetitive nature of going to war also felt tedious, but that was historically accurate so I’ll let that slide.

My favourite character is still Arsinoe because she was loyal, wise, clever and determined.  She stayed loyal to Egypt, despite her sister’s growing attraction to Rome. I might not have agreed with her hunger for power, but her reasons for wanting the throne were justifiable.

                   

I didn’t like Cleopatra and her growing weakness for Rome. I found this interesting because she’s always portrayed as a compassionate but beguiling woman, so I thought that her representation in the novel was refreshing. While I’m glad that Arsinoe and Alexander finally did it, I was irritated with Alexander for constantly pressuring Arsinoe. I wasn’t sure if he was truly in love with her or if he just wanted to known as the queen’s consort, but he really frustrated me.

My favourite part of the novel was Arsinoe’s break from Cleopatra because she was finally able to establish herself as a confident and independent Ptolemy. I thought that it was a long time coming, but it demonstrated her loyalty to her people, which is admirable.

Recommendation time! If you like Daughter of the Gods: A Novel of Ancient Egypt by Stephanie Thornton, The Empress of Rome series by Kate Quinn, and the Numinous World series by Jo Graham, you will love this book. Also, I recommend this book to anyone who likes Exodus: Gods and Kings, Cleopatra, Agora and Pompeii.

My review for Cleopatra’s Shadows can be found by clicking on the title.

Happy reading!


Like and follow!
Instagram: @thebasicbookworm 
Twitter: @BasicBookworm

Saturday, 24 June 2017

Orphans of the Carnival - Carol Birch



Began reading: 13.6.2017
Completed reading: 21.6.2017
Overall rating: 3 stars


Julia Pastrana is the singing  and dancing marvel from Mexico, heralded on tours across nineteenth-century Europe as much for her talent as for her rather unusual appearance. Yet few can see past the thick hair that covers her: she is both the fascinating toast of a Governor’s ball and the shunned, revolting, unnatural beast, to be hidden from children and pregnant women.

But what is her wonderful and terrible link to Rose, collector of lost treasures in an attic room in present-day South London? In this haunting tale of identity, love and independence, these two lives connect in unforgettable ways.

Orphans of the Carnival by Carol Birch is a historical fiction novel that follows the life of Julia Pastrana – a woman born with the appearance of an ape, but with the grace and charm of a proper lady. A follower of mine recommended this novel to me after I mentioned my interest in it. I thought that it would centre around a carnival as mentioned in the title, but it did not. Overall, I enjoyed it but there were some negatives, which I’ll discuss later.

Julia Pastrana was plucked from a life of servitude at a palace in Mexico to sing and dance around the world with a carnival of ‘freaks’. Because of her hairy appearance, Julia constantly faces curious and hostile stares from those around her, and sometimes abuse from those who fear her. Julia’s unexpected manners and talent see her earn a significant amount of money and the people she surrounds herself with grow increasingly greedy, despite her only wish to be happy. Fearing that she will never find true love, Julia consults a fortune-teller who provides her with a love potion, which she uses on someone close to her. Little does she know, this man is one of the greedy ones and will use her for money, even after she passes away. Julia’s story is entwined with Rose’s – a woman from present-day London, who enjoys collecting abandoned bits and pieces. On her way home one day, Rose stumbles across a doll that has an intense connection to Julia. Despite being told to throw it away, Rose forms an intimate bond with the doll. Through Julia’s and Rose’s stories, readers are reminded that issues surrounding love and identity are just as important now as they were then.

The book was well-written, especially in terms of structure and pace. The use of literary techniques was on-point, particularly the use of tone, setting and conflict to strengthen the writing. I really liked how Birch described specific settings to reflect how the character was feeling. For example, when Theo’s illness seemed to have disappeared, he went to a pub which he described as ‘glowing’. I interpreted it as a reflection of how he felt inside – he noted that he felt young, so I assumed that he was joyful and warm (the type of feelings associated with a nice glow). There were also some great quotes, including:

‘The world’s a cruel place, and there’s nothing fair about it’ (p. 23).

What do you want? – she asked herself. Just this, out in the world, free, unafraid. Don’t spoil it by being afraid, fool. Pretend. Shake inside but never let it show (p. 33).

‘Names are important,’ she said. ‘When a thing has a name, that’s when it really counts’ (p. 46).

‘Never forget,’ he said, ‘that words on a piece of paper are nothing more than paper. They have nothing to do with your own self’ (p. 135).

To my regular readers, I know that I’m beginning to sound like a parrot, but I love a good set of characters to complement an exciting plot. As I have mentioned in previous reviews, I believe that characters are just as important as the plot, and become instantly more likeable when they have an intriguing personality. In this book, I found almost every character to be interesting, but it was how their personalities changed as time went on that really fascinated me. It mirrors reality, where individuals encounter challenges or momentous occasions that enable us to mature and change who were are. Just as interesting was seeing how some characters stayed the same – especially in regards to their beliefs and morals. The way in which Birch makes her characters realistic made the narrative more enjoyable.

Something that arises from historical fiction novels is that authors don’t always get right is the accuracy of a particular time period. As this book explores life in the nineteenth century, I have a fair idea of how restrictive life was (due to my constant study of this time at university). With confidence, I can say that Birch has accurately portrayed the Victorian era, especially in terms of society and gender. In relation to society, we could see how it affected individuals’ appearances while out in public. Everything felt traditional, masculine and stratified, which leads us to the portrayal of gender in the text. Gender expectations were very strict during the Victorian era, so it was easy to see how Julia’s and Marie’s circumstances were influenced by the patriarchal system that surrounded them – both women could only find ‘freedom’ through marriage, which was sad; despite the sadness, the story was well-written to reflect the values of the time period, which emphasises just how proficient Birch’s writing style is.

                                                   

If you read the blurb, you would know that there was a link between Julia in the nineteenth century and Marie in the present-day. Maybe I expected too much from this connection, but it didn’t really relate to anything in the plot until you reach the conclusion. In my opinion, I still wasn’t able to connect Julia and Rose besides the object(?)/person(?) – not too sure how to describe it without giving it away – that they share. It really had no relevance to anything that happened in the book, and once I discovered what is was, I was kinda creeped out. I don’t know but it was just gross! It’s possible that I read too much into the connection between Julia and Rose, but I didn’t understand the point behind it.

Another that I had with the book was the dialogue, in particular how the conversations did not flow. A book is far more appealing when everything flows, and conversations are easy to follow. Unfortunately, I didn’t like the dialogue in this novel, as it came off disjointed and random at times. For example, there were times when the conversation was focused on something, then out of nowhere, there’s a topic change – right in the middle of an interaction. When this happened, I was left wondering what happened. I felt lost because the conversation was going one way, then totally changed without warning.

                     

The major concern that I had with this book was how the plot differed from the blurb and title. Looking at the title, you assume that the plot is about a group of ‘freaks’ that have been put together to perform in a carnival. For a time, the plot followed this idea (and it was an interesting part of the novel); however, it all changed when Julia was sold to someone and had to move away from her friends. After this, the plot was solely focused on Julia and her relationship with Theo. It was bland and uninteresting, which was why I gave this book a mediocre rating.

My favourite character was Julia because she was brave, resilient, respectable, charming, humble, and a dreamer. She never asked for much, and I believe that she was too pure for this world. Friederike is a notable character.

I never really liked Theo’s character, probably because he seemed too obsessed with his business. His behaviour towards Julia really broke my heart because that angel deserved better than him! I had a sneaky suspicion that he was greedy and never loved Julia, and his behaviour confirmed this. Julia only wanted to be loved – why is that so hard to give?! It’s not too much to ask!

                     

My favourite part of the novel was when Julia and Friederike had their final conversation over wine. It was a point in the plot where Julia knew that EVERYBODY is wary of her appearance, yet her friendship with Friederike seemed true. I also liked the way that Friederike confronted Theo about Julia’s body – it showed that she had morals and still cared for her friend.

Recommendation time! If you like The Night Circus by Erin Morgenstern, Freeks by Amanda Hocking, and The Museum of Extraordinary Things by Alice Hoffman, you will love  this book. Also, I recommend this book to anyone who likes Freaks, The Elephant Man, the American Horror Story: Freak Show tv series, and Howling VI: The Freaks.

Happy reading!


Like and follow!
Instagram: @thebasicbookworm 
Twitter: @BasicBookworm

Tuesday, 13 June 2017

Hostage Queen - Freda Lightfoot



Began reading: 6.6.2017
Completed reading: 10.6.2017
Overall rating: 3 stars


France 1565. Marguerite de Valois is the most beautiful woman in the French Court, and the subject of great scandal and intrigue. Her own brothers, the mad Charles IX and the bisexual Henri III, will stop at nothing to control her. Margot loves Henri of Guise but is married off to the Huguenot Henry of Navarre. By this means her mother Catherine de Medici hopes to bring peace to the realm.

But within days of the wedding the streets are awash with blood in the Massacre of Saint Bartholomew. Not only is her new husband's life in danger, but her own too as her mother and brother hold them hostage in the Louvre. Can they ever hope to escape and keep their heads? In a court rife with murder, political intrigue, debauchery, jealousy and the hunger of power, it will not be an easy task.

Hostage Queen by Freda Lightfoot is a historical fiction novel, which explores the life of Catherine de Medici and her children following the death of Francis II. I happened upon this book while I was wandering around the library, and I couldn’t stop thinking about it until I borrowed it. I really enjoyed it but there were some things that I found a little disappointing. I’ll discuss them as we go along.

Growing up, Margot had fallen in love with Henri, Duke of Guise. They spent so much time together that Margot believed her mother Catherine de Medici would allow them to marry. Of course, things don’t run as smoothly as Margot had hoped, especially when her brother Charles and her mother demand that she marry Henry of Navarre – a country bumpkin, who she shares no common interests with. After their wedding, a prominent Admiral is found murdered and ignites an all-out religious war between Catholics and Protestants. While the body count rises, Margot’s husband is in danger and it is up to her to plead her mother and brother to spare him. For their safety, Margot and Henry are imprisoned in the Louvre where they are forced to spend time in a perverse and dangerous court. As Margot spends more time at court, she becomes the centre of many rumours which threatens her life. Margot must learn to improve her skills in manipulation and deception in order to survive the constant threats at court.

The book was well-written, especially in terms of structure and character-building. I enjoyed the use of literary techniques to add depth to the plot and dialogue. The use of tone, dialogue, suspense and setting are just some examples of how Lightfoot enhanced her writing style in this novel. There were also some great quotes, including:

[…]who would dare beard the she-wolf in her den, let alone when she was holidaying with her cubs? (p. 40).

Little Fleurette, whom he’d so casually abandoned to bear her child alone, had been found drowned in the river, her heart broken by his rejection. Poor girl, it was indeed a tragedy to love a Prince (p. 63).

‘A peace made of snow this winter will not last the summer’s heat’ (p. 76).

‘Your grace and charm will win the heart of any king, and his courtiers.’
‘What need I of kings when I have the love of my chevalier?’ (p. 80).

‘Do not anyone say that marriages are made in heaven; the gods would not commit so great an injustice’ (p. 101).

‘Crowns sometimes come with more problems attached than you bargain for’ (p. 159).

What had she done to deserve such treatment? And from the one man she had trusted, the one man she could truly love for life, and whom she had believed loved her. But he had lied, and betrayed her like all the rest (p. 175).

‘A marriage may be political, at least for such as ourselves, but a love affair is a choice, a pledge of love and honour between two people’ (p. 176).

‘Remember that I will still be here, waiting, when you are in better temper.’
‘You can wait till hell freezes over,’ she shouted. ‘I’ll have no more of you’ (p. 177).

‘When one is successful and admired in court, everyone wishes to be your friend. Adversity is solitary, while prosperity dwells in a crowd’ (p. 241).

I really loved the range of characters that appeared throughout the book. I initially thought that the story would revolve around Margot’s views on her relationship with her husband and family. As I read, however, I found that the story did not focus on Margot, but pretty much every member of her family. I was able to learn more about how each character thought and interacted with others, so I had an insight into each character’s personalities. Unlike most books, this novel did not centre around one main character, which I thought was interesting. Of course, I would have preferred to read about all of the events from Margot’s point of view, but I don’t mind too much. I thought that it was a different way of seeing things and gaining entrance to other opinions, so I’m happy.

                  

I only mentioned it briefly earlier, but the suspense in this book was amazing! I love suspenseful books because they have the power to keep me turning the page. This book oozed suspense from start to finish, and I knew that I had to finish reading it. There were so many plot turns that made the characters’ situations risky, especially Margot’s. Everywhere she went, around every corner, there was a chance that she could be imprisoned or tortured by her family, so I was hooked to what would happen next.

Maybe it was because of the suspense, but I thought that the plot was intriguing and immersive. I watched the tv show Reign, so I had a fair idea of the Medici/Valois family but I never saw Margot. I knew this when I stumbled across the book, so I thought that it would be nice to get to know her character a little. The blurb promised drama and scandals, so my inner drama queen NEEDED this book. I love a book that can keep me interested from start to finish, so I think that Lightfoot did an awesome job with this one.

As I’ve said in past reviews, a good conclusion should provide closure and answer all questions that have been brought up throughout the book. In this case, I thought that the text provided decent closure for its readers but not enough of it. The narrative ended with a quick flashback before returning to Margot. It was sweet but didn’t outline what happened next. I know that I could just Google it, but it would have been a nice way to end the story. Because it didn’t end this way, the story won’t really be as memorable or provide enough closure as it could have. I’m not saying that the conclusion was bad, but I will admit that it was a tad bit disappointing.

                                                         

Another kind of let-down was the focus of the book. I mentioned previously that the novel did not focus solely on Margot’s outlook on what was happening, but rather every member of her family. This isn’t the issue, but it did play a role in what I thought irritated me the most about this text. The issue I had was that the book felt more like a Wikipedia page, as it wasn’t so much story-telling but detailing major historic events during this period. I would have preferred a little more focus on the characters because anyone could Google the Massacre of Saint Bartholomew if they needed information. I wanted more focus on something fictitious, or based on personal opinions and actions, as opposed to re-telling what Catherine, Charles and Henri did.

My favourite character was Margot because she was loyal (especially to her husband), rebellious, clever, courageous and relatable (I know all about the whole mother-and-son duo). I loved how cold she could be towards the haters, but completely sweet and charming to those who deserve it. I felt for her when she was betrayed, and I understand her need to be loved.

Although Margot’s family (with the exception of Claude and Francois-Hercule) had an element of dislike-ability, I hated Charlotte de Sauves despite the fact that she was only obeying orders. She was cruel and cold towards Margot, and was pretty much the root of her unhappiness. I only wished that Margot got revenge on her. I also hated du Guast for being so ambitious and cunning, but I’m beyond glad that he got what he deserved.

                     

My favourite part of the book was Margot’s confrontation with Charlotte de Sauves because it was feisty and dramatic. Margot flaunted her authority in a subtle way, which reflects her humble personality. She behaved in a calm way, so calm it was almost scary. If only she took that opportunity to wipe de Sauves’ smile off her face – a nice, deep gash across her pretty face would have taught that b*tch a lesson. I know I sound crazy, but I just feel very protective of Margot.  

Recommendation time! If you like The Queen of Diamonds by Jean Plaidy, His Last Duchess by Gabrielle Kimm, and The Confessions of Catherine de Medici by C.W. Gortner, you will love this book. Also, I recommend this book to anyone who likes the tv show Reign, the tv show The White Princess, Queen Margot, Henry of Navarre, and The Princess of Montpensier

Happy reading!


Like and follow!
Instagram: @thebasicbookworm 
Twitter: @BasicBookworm